Bid on Me

The bid card said $200. That was the starting price. A date with one of the city's most eligible bachelors, all proceeds to the Children's Literacy Fund.

I bid fifty thousand dollars.

The room went quiet. Not whisper-quiet—vacuum-of-space quiet. Five hundred people in black tie turned to look at the woman in the borrowed dress who'd just bid an amount that represented her entire savings account, her emergency fund, and the money she'd been setting aside for her mother's dental work.

On stage, Nathan Forsythe stared at me. I stared back.

"Fifty thousand," the auctioneer repeated, his voice cracking slightly. "Do I hear fifty-five?"

No one moved.

"Sold."

---

Three months ago, Nathan Forsythe had fired me.

Not personally—he was too important for that. His VP of operations delivered the news while I stood in a conference room on the ninth floor of Forsythe Media, holding a box of my things. Restructuring. Redundancy. Nothing personal.

It was personal. I'd spent two years building the investigative division from nothing—sourcing stories, training junior reporters, landing the Kendrick pharma exposé that won the company a National Press Award. Then Nathan's new COO decided investigative journalism was "not aligned with the brand's digital pivot," and my entire team was eliminated.

I applied to thirty-seven jobs in eight weeks. I got three interviews and zero offers. The industry was contracting, and my name was attached to a division that had been publicly dissolved. Every editor I called said the same thing: *Love your work, but we're not hiring.*

So when my friend Priya dragged me to the Children's Literacy Gala and I saw Nathan Forsythe on stage, smiling his magazine-cover smile while an auctioneer described him as "one of the city's most generous philanthropists," something inside me snapped.

Fifty thousand dollars. For one evening. For the chance to sit across from him and make him look at what he'd done.

---

He found me at the bar afterward.

"That was dramatic," he said.

"I learned from the best. Your company once ran a six-part series on dramatic gestures. I edited it."

His jaw tightened. "You're Dara Osei."

"You remember."

"I remember every person who's cost me fifty thousand dollars." He signaled the bartender. "What exactly are you hoping to accomplish?"

"I bought a date. I want the date."

"This isn't a date. This is a hostage situation."

"Then consider me your captor. Saturday. Seven o'clock. I'll send you the address."

He looked at me with an expression I couldn't quite read—annoyance layered over something sharper, something almost like respect.

"Fine," he said. "Saturday."

---

I chose the restaurant deliberately. Osei's Kitchen, Flatbush, Brooklyn. My aunt's place. Formica tables, paper napkins, jollof rice that would rearrange his understanding of flavor. I wanted him out of his glass towers and into my world.

Nathan arrived in a car that cost more than the building. He walked in, looked around, and sat down without a word.

My aunt brought out the food herself—jollof, fried plantains, suya, egusi soup. She looked at Nathan and then at me and said, "This the one?" in Twi, and I said, "Auntie, please," and she laughed and disappeared into the kitchen.

"What did she say?" Nathan asked.

"She asked if you were the one. It doesn't translate well."

He picked up a fork. "I know why I'm here."

"Do you?"

"You want me to feel guilty." He met my eyes. "I do. You built something extraordinary at my company, and I let Marcus Crawford dismantle it because the numbers told a story I didn't interrogate."

I hadn't expected honesty. It threw me off balance.

"The Kendrick exposé," he continued. "I read it four times. It was the best journalism my company ever published. When Crawford presented the restructuring plan, I should have fought harder. I didn't. That's on me."

"Then why didn't you?"

He set his fork down. "Because I was scared. The company was hemorrhaging ad revenue. Digital subscriptions were flat. Crawford had a plan that promised stability, and I chose the safe path over the right one."

"People lost their jobs, Nathan. Real people. Reporters with mortgages and kids. My junior editor had just signed a lease."

"I know."

"Knowing isn't enough."

"No," he said quietly. "It isn't."

---

We talked for four hours. The restaurant closed around us. My aunt brought tea and stopped pretending she wasn't eavesdropping. Nathan told me about inheriting the company from his father at twenty-eight, about the pressure of a legacy he'd never asked for, about lying awake at night reading the Kendrick piece and knowing he'd traded integrity for quarterly targets.